Jules Engel

Ravine, 2001
Color lithograph
Edition 10
7 1/8" x 6 1/2"

Route 101, 2000
Color lithograph
Edition 20
10" x 9 1/4"

Interior, 2002
Color lithograph, Bon a Tirer print
9 1/2 "x 9 1/2"

Greenscape, 2002
Color lithograph
Edition 12
16 1/2" x 16 1/4"

Garden of Contini, 2000
Color lithograph
Edition 20
13 3/4" x 11"
ARTIST BIO
Born in Budapest Hungary in 1915, Jules Engel immigrated to the US in the early 1930s. He initially settled in Evanston, Illinois where he went to school. In 1937 he moved to Hollywood for work and continued his education at the Chouinard Art Institute. In 1938 his artistic ability in several mediums included animation, painting, and sculpture. This earned him a job with Disney Studios. There he worked on animation for the Disney classic “Fantasia”. Inspired by the ballet and modern choreography, Engel was a major contributor for the famous dance scenes in the film. After WWII, Engel would find work as part of a creative team for the United Productions of America (UPA) Studios. There he would help create animated characters such as Gerald McBoing-Boing, Madeline, the Chipmunks and Mr. Magoo. Around the same time he became serious about painting, lithography, and independent filmmaking. His early paintings, as opposed to his mainstream animations, were mostly non-figurative and non-representative. Inspired by abstract artists such as Wasilly Kandinsky, Piet Mondrian, and Alexander Calder, he was able to combine his deep sense of color he learned as an animator together with geometrical and abstract constructions. In 1949 his works were exhibited at the Art Institute of Chicago. In the 1950s, his style shifted slightly away from the non-representational geometric paintings toward expressive compositions. His work still remained entirely abstract. During the early 50s, he exhibited works at The Metropolitan Museum of Art and the De Young Museum in San Francisco. By 1958, Engel shifted his concentration solely to painting and independent filmmaking. For twelve years this was his main focus. In 1970, he founded the Abstract Experimental Animation on Film Department for the California Institute of the Arts and taught many of today’s animators. For the next thirty-three years, Jules Engel would be consumed by teaching, painting, sculpture, and printmaking. An active artist all throughout his life, he would work well into the late years of his life, until his death in 2003.